When I first saw The Tortured Christ, by Brazilian sculptor Guido Rocha, it didn’t ask my permission, it just went ahead and seared itself into my subconscious. Every couple of months since then, The Tortured Christ pops up, uninvited. All of the sudden he’s there, blood splattering on the carpet of my brain and his screams ricocheting off the walls. It’s rather uncomfortable.
I’d prefer a visit from the placid Jesus–the one who’s taking his torture like a champ, the Jesus that dangles on the end of necklaces, Jesus-asleep-on-the-cross. But, this Jesus keeps showing up–skin retracting between his ribs, muscles seizing in agony–and, honestly, when he stops by, I don’t start humming worship songs or try to gaze deeply into his eyes. I want to look away.
Photo courtesy of Mark Grapengater via flickr.com
The truth is, there’s a lot of things I’d rather look away from–not just Rocha’s Christ–11.4 million Syrians who have been displaced from their homes. Four and half million of them eke out an existence on the border of other countries, without heat in the winter or basic health care, relying on UN food coupons to keep them just beyond the grip of starvation.
I’d rather not notice the man who holds a plastic cup at the intersection several blocks from my house. It gets complicated to think about the addictions that might be driving him to the streets, the shattered family he represents, or the burden of what it means for me to get involved Continue Reading…